REKIRA THE SUPER-MONSTER - Teaser Posters (for 2025)!

 Today is the 34th Anniversary of when I started the project that ultimately became Rekira the Super-Monster, my own original kaiju project! Production is still underway, and to mark the occasion, I did two versions of the teaser poster, in Japanese and English! This has my current V3 Beta model of Rekira, done in Blender (with which I'm animating the project), and the posters were done in FireAlpaca.

Japanese:

English:

BONUS: Japanese with fixed text (thanks to Instagram user "masked_elone"):

GRAVITY FALLS Fanart

Happy Halloween!

I apologize for being rather disorganized here.  And I'm really frustrated, as I wanted to spend all of October doing the following, but I got sick with the cold for most of the month (still have coughs and partial laryngitis as I write this), and it really cramped up my schedule, so I was very disappointed, because I really wanted to surprise you all.  But I might as well turn up what I have, and rest assured, I would love to do more with this stuff later on.  :)

As some of you are quite aware, I've become a huge fan of the animated series, Alex Hirsch's Gravity Falls, which premiered on the Disney Channel over a year ago.  A really funny, wild, poignant, haunting, and sometimes dark series, with a great set of main characters: 12-year old twins Dipper (the protagonist) and Mabel (his goofy sidekick), who stay with their great uncle Grunkle Stan (the owner of the Mystery Shack, located in the titular town in central Oregon) for Summer vacation, and Stan's young workers Soos (a goofy man-child) and Wendy (a 15-year old girl and Dipper's secret crush).  Dipper & Mabel's stay in Gravity Falls turns out to be not-so-normal, with all sorts of supernatural phenomena permeating the town.  Dipper's guide to the phenomena is a mysterious book he found, labeled "3" on the cover.  There are secret messages hidden throughout the series, written in secret codes (including the Caesarian code; three letters back), and these hidden details have become a popular facet with fans of the show.  With Season 1 having ended (I will not spoil the season finale; it has to be seen to be appreciated), Season 2 (which is now in the works) promises to be more exciting and really ominous!  (Creator Hirsch intends for the entire series to take place over the course of an entire Summer vacation; he aimed for 3 seasons, but production on the series proved to be really difficult and challenging, so as it stands, Hirsch is trimming it down to 2 seasons, and a movie to close the series.  That said, I can hardly wait!  But I have to...)

So I was inspired to do full color fanart of the series, but was sidetracked by my above dilemma (and you'll notice huge time gaps, as a consequence).  I'll get to that soon enough, so I'll post what I did so far: my own personal model sheet exercise/design studies.  By default, I used series director/character designer Joe Pitt's designs/model sheets for reference.  I had little to work with on some designs, so I improvised by using screenshots from the series.

Here's Dipper, done on October 1st:

Mabel, done on October 5th:

This was after my first two weeks with the cold (the first week was the worst).  Wendy (done on October 21th) was a bit tricky at first, so aside from the model sheet I worked with, I looked at various screenshots to get a better grasp of the variations in her design.

The same deal with Grunkle Stan (done on October 25th), whose physique was even trickier than his expressions!

I'll get to doing Soos, eventually.  Otherwise, look for more Gravity Falls stuff from me soon!  I've had a lot of fun learning to draw these characters.

CG Rekira - 2013 Version (Quadrupedal)

I've been working really hard for weeks on this new version.

Some of you are familiar with the CGI Rekira short I did back in 2008 as a capstone project for ITT Technical Institute.  (I briefly talk about it in my introduction post.)

Concurrent to the Rekira comic project, I started work on a new CGI Rekira model a couple of months back, and after trial and error, created one such improved model!

This is the quadruped version.  Done on 3DSMax (and adjusted in ZBrush), just like the old 2008 model.  (Rekira is a quadruped by default, with the unlimited ability to stand upright.)  Whereas the old model had a rig for the jaw and two rigs for each ear, this one now uses facial morph targets for mouth movements (it's really tricky), and just one rig for each ear.  Oh, I did the texture on tablet in Photoshop.  (Yeah, drawing in all that fur is really tiring!)  I'll eventually be doing a biped version to go with this one (I definitely want to keep the head, at least, and maybe the body/tail), as you'll notice that my attempts at putting this model in an upright position turned out rather awkward!  (And rigging certain parts was painfully difficult as it was.)

As you can tell, I will be doing more Rekira CG animated shorts in the future!

Ryusei Works Logo - 2013!

At last, here's a still from the updated Ryusei Works "RyuseiScope" logo for 2013!  Animated in Flash, and completed on the 6th.  The background is from a picture I took while I was on vacation in the Outer Banks on New Year's Day of 2012.  It was a sunset, but I so wanted a beautiful picture of a sunrise or sunset for the "sunrise" in my logo.  Expect to see this logo in future videos!

Honeybee Taffy & Candy Canes

I went to see Wreck-It Ralph (Disney; 2012) on November 23, and needless to say, I loved it!  (Ditto the animated short, Paperman, which preceded it.)  It was a 10:25 PM private 3D showing for me, my big brother Peter, Tony, Stephen, and my nephews Angel and Gabriel!  (When we left the theater, it was dim and creepy, as the theater was about to close, and everyone was leaving, but it was a pretty cool contrast to the movie we came out of.)  All four of the main characters (Wreck-It Ralph, Vanellope Von Schweetz, Fix-It Felix, and Sergeant Calhoun) are great, and they all manage to steal their own show (rather than let some marketable character steal the show from the main character).

I thought Vanellope (voiced by comedienne Sarah Silverman) was adorable!  At some point, I strongly contemplated doing a fan art of her meeting The Mighty B!'s Bessie Higgenbottom (voiced by fellow comedienne Amy Poelher).  I could've done this in the style of that Vanity Fair 2008 photoshoot which featured both Silverman and Poehler (with Tina Fey), but featuring them both in Vanellope's Sugar Rush video game was more interesting.  :)

This was done tonight in nearly 4 hours on tablet in Photoshop.  I might do more Wreck-It Ralph fan art at some point!

Fan Art on Parade!

Hello, again!

In today's post, I'm going to showcase some of the fan arts I've done over the years. All of these you can find on my deviantART page.


Above is my very first drawing of Craig McCracken's popular characters, the Powerpuff Girls! I drew this on August 4, 2000. Colored in Photoshop.

This is an illustration of Ultraman, the famous Japanese superhero, that I did in Macromedia (now Adobe) Flash. Intended to be pop-art type. Dated November 17, 2005.

This is my interpretation of the characters from my friend Mike Dent's awesome podcast, R5 Central. Done at Mike's encouragement, I did this as an experimental Stephen Silver-style piece. Mike Dent himself is on the right, with android girls Ai (blue, middle) and Ami (red, right). Colored with Photoshop, and dated January 27, 2007.


Here is one of two illustrations I've done for my favorite superhero, Ultra Seven, for his 40th Anniversary. This one was inked chiefly with ink & brush, and colored with gouache and colored pencils. Dated April 17, 2007.

Ultra Seven, produced by Tsuburaya Productions, premiered on Tokyo Broadcast System in Japan on October 1, 1967, and ended on September 8, 1968, with a total of 49 episode (only 48 are available, as Episode 12, "From Another Planet with Love," was banned since 1970). Actually created as an alternate version of Ultraman (Tsuburaya; 1966), both shows were officially linked when the respective characters appeared in Return of Ultraman (Tsuburaya; 1971), and was also supposed to be the final Ultra Series (but was the last produced by creator Eiji Tsuburaya). Seven has perhaps the best design of any of the Ultra-beings, IMHO, and has even more personality than his predecessor in many respects. Some may remember the character and his series from its 1975 English-dubbed broadcast in Hawaii (the first series to be dubbed there), and others from a second version dubbed in Canada in 1985 by Cinar; this would be broadcast in early February of 1994 on Turner Network Television (TNT), until around 1999.

The second illustration can be seen after a few others here...

Above is Fanny Robinson from Disney's Meet the Robinsons (Disney; 2007), which I haven't seen fully, but I am extremely impressed with the character designs! I used a Meet the Robinsons storybook for reference while I drew this at Borders, dated May 18, 2007. Colored in Photoshop.
Above is Tack the Cobbler, one of the two titular protagonists from Richard Williams' ill-fated masterpiece, The Thief and the Cobbler. Using Williams' model sheets for reference, I drew with Micron pens, and colored it in Photoshop. This was dated June 4, 2007.

Since the mid 60s, Williams spent 26 years working on this film, which was threatened by the impending release of Aladdin (Disney; 1992), which was closely inspired by this film. The resulting films, The Princess and the Cobbler, was somewhat closer to the Richard Williams cut, despite the devastatingly awful songs and mostly bad new animation added, while Miramax's Arabian Knight (known as The Thief and the Cobbler in its video release) is absolutely unwatchable. Understandably, Williams apparently disowns the film after its debacle. Regardless, I recommend watching either the original Williams workprint, or Garret Gilchrist's excellent fan-made "Recobbled Cut" DVD.

Tack was completely silent (he and the titular Thief were essentially silent movie characters in a movie full of sound), until the very end (when he says the film's final line), where he would've been voiced by Sean Connery!

Below is the "suntanned" variation of Tack, from later in the film (after traveling in the desert).

Here is the adorable Abby Archer, the heroine from the Canadian cartoon series, Grossology (Nelvana; 2006), loosely based on Sylvia Branzei's children's books of the same name. This series was done by the same animation/design team as Nelvana's earlier hit, 6teen, and done with the same animation software (ToonBoom Harmony/Digital Pro). Not surprisingly, this piece is currently also my most popular work on deviantART, probably because I used reference material (wallpapers) to remain as faithful to the show's look as possible. Painstakingly illustrated in Flash, and dated July 23, 2007.

My second Abby piece, a portrait drawn with colored pencils (traced over a pencil drawing), done on August 11, 2007.
This is the aforementioned second drawing of Ultra Seven, which was done in time for his 40th Anniversary on October 1, 2007. Done with colored pencils over a pencil drawing. Impressive, if a little uneven (the chest is flat, for example). I had used my old Bandai figure of Ultra Seven as a reference for this illustration.

This is my fan art of Jill Thompson's acclaimed character, Scary Godmother. Created in 1997 as a children's storybook/comic hybrid, she and her companions have had several storybook sequels, a comic-book series, and two awesome TV specials (animated in Canada by Mainframe, now Rainmaker). Thompson has said she wants to do more stories soon, and I look forward to it! I did this with colored pencils over a pencil sketch on Halloween of 2007.

This is a fanart I did of Grover from Sesame Street while I was on vacation in the Outer Banks in North Carolina, dated January 4, 2008. I'm a huge fan of classic Sesame Street, as you can already tell. I attempted to draw in the same style as Michael Smollin's illustrations for the excellent 1971 Sesame Street storybook, The Monster at the End of This Book.

This is an illustration I did of Lucy Lamb, from the Dream Pets collection, dated January 3, 2009, while I was on vacation in the Outer Banks. Having picked up this first Dream Pet for my collection the previous day, I did this life drawing first in a pencil sketch, and then tracing over it with colored pencils. This was a very beautiful result. I had become a big fan of Dakin's Dream Pets (which originated in Japan in the late 50s!) the previous year, for their appealing vintage designs, and would love to do more fan art of them.

This is my illustration of the titular heroine of Coraline (Focus/Laika; 2009), based upon Neil Gaiman's acclaimed book. This was conveniently finished on Valentine's Day, February 14, 2009, about a week after I saw the film in theaters. I had first done a pencil sketch of Coraline and the Cat (done the previous night), which I later traced over in Photoshop... with a mouse! I had wanted a painterly look for this drawing (experimenting with some of Photoshop's paint features), and it was only a few months before I got my current tablet, so you can tell this drawing took quite a bit of effort to do with a mouse, especially the background. Coraline's house, the Pink Palace Apartments, took several hours to draw, upon using a photo for reference (making this one of the more complex illustrations done with a mouse)!

Here is my first-ever fan art of another top favorite superhero of mine, Underdog! Yes, I've been an Underdog fan my whole life, and I had not drawn him until this try, dated November 19, 2009, drawn with a Micron brush pen (using a video cover for reference). This was done in celebration of Underdog's 45th Anniversary. (The Underdog Show premiered on October 3, 1964.) As some have noted, it looks a little bit off (Underdog looks slightly taller than he should), but I'm proud to have finally done an Underdog drawing, and would love to try doing more in the future! Colored in Photoshop.

Lastly, one of my latest published pieces, a fan art of Vanya Hargreeves, AKA: The White Violin, the tragic villainess/antiheroine of Gerard Way's comic-book, The Umbrella Academy (published by Dark Horse). She is my favorite character from the comic by far, especially for her simple yet beautiful design, and her heartbreaking backstory. The box/figurine set for the first volume, The Apocalypse Suite (which I eventually got) was exactly what got me interested in the series. I eagerly anticipate to see how Vanya develops in future volumes! This was inked with with Micron pens (brush, .05, and .005), and colored in Photoshop.

In my next post, the first in a series of fan arts from one of my biggest favorite cartoon shows, The Mighty B!